, its title a play on old camcorders’ caption, follows a local journalist reporting on a crew of firemen on a night shift. Want even more? Train to Busan is actually the middle part of a trilogy, sandwiched between animated prequel Seoul Station released the same year, and Peninsula released in 2020. Come for the great international horror, stay for the wonderful characters, like the bromance between Seok-woo and Sang-hwa. Also, the zombies are some of the grossest ever as well, and Sang-ho Yeon’s direction is immensely suspenseful and jittery. Trapped in the mundanity of the train’s cars, Train to Busan is another extremely tight and bloody take on the zombie genre, one that is strong enough in its execution to not feel like a one-note idea at any point. Related: Have International Zombie Movies and Shows Finally Bested the American Source? On board, a host of well sketched characters, all commuting and going about their lives, are assaulted by zombies (which still sounds more fun than Victoria Station at rush hour). Here we showcase some of the best films from outside the states, from A to Zombie.Īn absent and work-obsessed father accompanies his daughter on a train journey to Busan to drop her off with her mother. France has always had a good relationship with the undead, crafting naturally classier takes on an otherwise messy genre.Īs the American-rooted zombie film has recently come to a shuffling stall with its big-budget but unremarkable outings, Europe and the rest of the world have been keeping the sub-genre fresh, despite its decaying subject matter. Following the peak of the trend in the early 2000s, England was the place to be for low budget zombie films. Lord of the Rings director Peter Jackson’s early schlock put New Zealand horror on the map (continued by way of Black Sheep and What We Do In The Shadows), thanks to his gruesome works involving the deceased. The rest of the world has always had a fascination with the undead. We fear what is dead and the process and concept of death comes awkward to us as living, breathing human beings, and that translates across any part of the world. Hailing from their roots in Haiti and Voodoo, zombies in film have become a universal language.
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